Date of Award
December 2012
Degree Type
Thesis
Degree Name
Master of Music
Department
Music
First Advisor
Gillian Rodger
Committee Members
Judith Kuhn
Keywords
Anti-Communism, Avant-Garde Music, Cold War, Congress for Cultural Freedom, Dodecaphonic Music, Nicolas Nabokov
Abstract
Between 1950 and 1967, the Congress for Cultural Freedom, an organization of anti-totalitarian intellectuals funded by the United States government, hosted conferences and festivals regarding the pursuit of intellectual freedom. In 1952 and 1954, the Congress for Cultural Freedom hosted two music events. While the first festival has been researched considerably, the 1954 conference has not been documented comparably. While unexplored, this conference has been the cause of much speculation on the political connotation of dodecaphonic and avant-garde techniques in postwar Europe. This project explores archival evidence related to the 1954 conference, with a focus on internal memoranda, correspondence, program lists, budgets, and invitation lists from the Congress for Cultural Freedom. This information is synthesized to provide logistical information regarding conference organization as well as the political ramifications of the conference.
Recommended Citation
Pahl, Shannon E., "The Congress for Cultural Freedom, La Musica Nel XX Secolo, and Aesthetic "Othering": An Archival Investigation" (2012). Theses and Dissertations. 40.
https://dc.uwm.edu/etd/40