Date of Award
August 2021
Degree Type
Thesis
Degree Name
Master of Arts
Department
Media Studies
First Advisor
Richard K Popp
Committee Members
Elana H Levine, David S Allen
Keywords
action-comedy, black police officers, buddy-cop, female police officers, police brutality, police film
Abstract
This study investigates the legitimization of police violence through the use of humor in the buddy-cop-action-comedy film. Following the development of the judicial system and federal, local, and state governments in the militarization of urban police forces between the 1960s and the early 2000s in the U.S. in order to present a picture of how the buddy-cop film genre grew in popularity over the course of the 1980s and onwards. Through an industrial and contextual analysis of two buddy-cop films that attempt to ‘subvert’ the traditional tropes of a buddy-cop film by casting two Black actors in Bad Boys II (2003) and casting two white actresses in The Heat (2013). This study concludes that because police violence is the predominant source of humor in the buddy-cop genre, on-screen diversity, is not enough to remove the legitimization of police violence from the genre.
Recommended Citation
Baker, Briah, "Why Can't We Be Friends: The Legitimization of Police Violence in the Buddy-cop Film Genre" (2021). Theses and Dissertations. 2758.
https://dc.uwm.edu/etd/2758
Included in
Communication Technology and New Media Commons, Criminology Commons, Film and Media Studies Commons